Alexander VII (Pope, 1655–67) 1665

Curator: This is a medal portraying Alexander VII, Pope from 1655 to 1667, created around 1665 by Gasparo Morone. It’s a relief cast in metal. Editor: The detail is incredible! Especially the ornate tiara—so much careful work packed into such a small space. I am struck by the sharp profile view; the Pope almost seems to gaze into eternity. Curator: Indeed. Medals such as this weren't simply decorative objects. They functioned as vital tools for disseminating the Pope's image and projecting power. The medals were gifts that affirmed relationships. Editor: The crisp lettering circling the portrait definitely enhances that sense of authority. There is a visual language at work that’s clear even now, a direct communication of status. Curator: Absolutely. Notice the use of Latin, the official language of the Church. This detail situates the Pope within a long line of papal authority, linking him to the history and legacy of the Catholic Church. The "AN XI" indicates the eleventh year of his pontificate, reinforcing his active reign. Editor: Looking at the workmanship, the delicate modeling of his features contrasts nicely with the strong, almost geometric, forms of the papal vestments. How was the piece made? Curator: Metal casting in relief would have been common practice. Consider that this piece, made by the engraver and medalist, Gasparo Morone, can tell us about Rome and its role in early European finance. This portrait was symbolic in an era before mass media. Editor: Thinking about form and symbolism together, this portrait really epitomizes the idea of controlled representation. Every element, down to the carefully rendered profile, is curated to convey authority and project a particular image. Curator: It is truly a testament to the power of visual communication during the Baroque era. Such artifacts allow us a glimpse into the intricate dynamics of power, representation, and diplomacy that defined the Papal States in the 17th century. Editor: It leaves you pondering the ways that similar strategies persist today, albeit through vastly different media.