Portret van Johann Wolleb 1646 - 1711

Curator: Here we have an engraving entitled "Portret van Johann Wolleb," dating from the period 1646-1711 and crafted by Johann Jakob (I) Thurneysen. The work adheres to the Baroque style, a time known for ornamentation. Editor: I am immediately drawn to the oval composition. The central figure exudes a rather grave formality, intensified by the rigid lines of the engraving technique. The texture in the curtains seems especially precise and neat. Curator: Indeed. The formality reflects Wolleb's station. He was a theologian in Basel. These commissioned portraits were status symbols that reflected the prominence and respect he commanded in society. Look closer and see how that symbolism permeates the engraving; text encircles him in Latin proclaiming his importance. Editor: Note the very precise handling of the lines of Wolleb's garb, which really do command a viewer's attention; I think of "chiaroscuro"—there are some striking highlights against a very deep dark. The very controlled texture creates such a sense of mass! But there are asymmetries in this framing that introduce such complexity in its meaning, don't you think? Curator: Absolutely. While commissioned to present him favorably, elements like that, along with the book he holds—likely a theological text—present not just his social standing but also hint at inner virtues like knowledge, diligence, and devotion. These objects would appeal to people seeking wisdom or validation in religious piety. Editor: That's such an interesting insight into the potential audience. It makes you think about what they might glean. Curator: And in doing so, maybe it offers a new window into their cultural milieu, or a reminder about ourselves as viewers now too? Editor: Maybe these portraits serve as a connection, despite the distance in time? What seemed static might continue to unfold, through those cultural memories it stirs!