Portret van Johann Heinrich Lavater 1692

This engraving by Johannes Meyer II depicts Johann Heinrich Lavater, a doctor of medicine, physics, and mathematics. Notice the oval frame encircling Lavater's portrait. The oval, often a 'vesica piscis' or almond shape, can be traced back to ancient Christian art, symbolizing spiritual union and divine grace. Its continuous form suggests eternity and the cyclical nature of time. We see it echoed in mandorlas surrounding sacred figures. Consider how the image and frame might function as a window into Lavater's soul, inviting viewers to consider the relationship between inner character and outward appearance. The enduring appeal of such forms lies in their ability to tap into archetypal symbols, engaging us on a subconscious level that transcends time and culture. And so, the oval motif persists, resurfacing in diverse forms, a testament to its enduring power to evoke a sense of the eternal, and the continuity of cultural memory.