Untitled 1961

Curator: We're looking at Robert Goodnough’s “Untitled” from 1961, done with acrylic paint on a panel. I am intrigued by the artist's technique, his seemingly simplistic yet deliberate application of acrylics, which suggests a tension between intention and chance. Editor: Ah, a vibrant tug-of-war in primary colors. Red and blue battling it out on a white stage. It feels immediate, almost impulsive. Makes me want to grab a brush and join the party. Curator: Indeed. Examining the materials more closely, the choice of acrylic paint becomes significant. Its quick-drying nature would have allowed Goodnough to build up layers rapidly. The panel itself, as a support, offers a rigid structure, contrasting with the fluidity suggested by the strokes. This material conversation speaks volumes. Editor: It's interesting how those broad strokes don't quite meet, leaving tantalizing gaps of the panel peeking through. Creates this feeling of incompleteness, of the painting breathing. Almost as if it's still in the process of becoming. You know, it reminds me a bit of musical improvisation – the artist riffing off an initial idea. Curator: Precisely. This ties into the socio-political context of the time. Abstract Expressionism emerged partly as a reaction to the rigid social structures and traditional artistic norms. Goodnough, by embracing spontaneity, echoes the era’s spirit of rebellion and exploration. This breaking free from conventions resonates deeply when viewing his piece. Editor: Breaking free is right! Look at how the blue almost vibrates against the white! It feels like the artist isn't just painting colors, but emotions. Raw, untamed joy, maybe tinged with a bit of melancholy. Though, in the end it is fun! Curator: Agreed. By looking at the physical components of production in Goodnough's method and materials alongside social perspectives, our comprehension expands dramatically. Editor: Absolutely! Looking closely, even something this simple becomes complex. Thanks for sharing your insights. I can almost feel the brushstrokes and intention in that abstractness.