The Honeymoon by Charles Williams

The Honeymoon 1806

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drawing, print, etching, paper, engraving

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drawing

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print

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etching

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caricature

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paper

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romanticism

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genre-painting

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history-painting

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engraving

Dimensions 240 × 345 mm (image); 247 × 352 mm (plate); 273 × 383 mm (sheet)

This print titled "The Honeymoon" is a political cartoon that presents a potent blend of classical imagery and English political commentary. Here we see Britannia, a symbol of Great Britain since Roman times, clad in classical armor and flowing robes, dancing with John Bull, the corpulent personification of England. Britannia's helmet and spear hark back to Athena, goddess of wisdom and warfare, embodying strength. John Bull's jovial demeanor suggests renewed prosperity, reflecting the optimism following political changes. Notably, the visual language used here—allegorical figures representing nations—echoes in various epochs. Compare Britannia to Marianne in French art; both personify national identity. The enduring appeal of these symbols highlights our collective need to embody abstract political ideas in relatable human forms. Britannia's modern usage reflects the cyclical recurrence of symbols, their meanings shifting yet retaining a powerful subconscious resonance.

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