Ovoid covered jar with flower scrolls in lappet borders c. 1680 - 1720

Here we have an ovoid jar with a lid, made by an anonymous artist. The smooth, white ceramic surface serves as a canvas for the delicate blue flower scrolls and lappet borders. Observe how the artist uses the contrast between the white background and the blue patterns. These patterns create a visual rhythm that guides the eye around the jar’s curved form. The arrangement of flower motifs within the lappets shows a structured yet organic design, balancing symmetry with naturalistic representation. Each brushstroke in the floral designs, while appearing spontaneous, contributes to an ordered overall composition. The jar is not merely a functional object but also a study in aesthetic organization and harmony. This piece invites us to explore how surface design interacts with the object's form, creating a dialogue between decoration and structure. The artist’s careful arrangement of floral elements demonstrates how decoration can articulate and enhance an object's inherent shape, transforming utility into art.