Maria met het Christuskind, de H. Lucia, de H. Catharina van Alexandrië en twee stichters by Jan van Troyen

Maria met het Christuskind, de H. Lucia, de H. Catharina van Alexandrië en twee stichters 1660

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print, engraving

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portrait

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baroque

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print

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figuration

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history-painting

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engraving

Dimensions height 206 mm, width 305 mm

Editor: This is Jan van Troyen’s 1660 engraving, "Maria met het Christuskind, de H. Lucia, de H. Catharina van Alexandrië en twee stichters" – that's "Mary with the Christ Child, St. Lucia, St. Catherine of Alexandria, and two donors," at the Rijksmuseum. The detail achieved through engraving is astonishing; it gives the image a serene, ethereal quality, like a sacred dream. What catches your eye in this piece? Curator: That’s a gorgeous way to describe it, sacred dream indeed. For me, the emotional composition is incredibly compelling, those supplicating donors juxtaposed with the almost nonchalant Christ Child. Don't you think that the baroque drama gets beautifully translated via the engraving process? The light seems to dance across the image, despite being rendered in monochrome! What is your take on this monochrome palette, isn’t that limiting, creatively? Editor: I see what you mean, especially regarding emotional complexity! And about the colour palette, you could feel a lack, but also I think the artist directs your eye to specific areas, creating more focus through shadow and highlights. The viewer focuses on form, texture, and emotion – do you agree with that statement? Curator: Absolutely! It’s a lesson in seeing the world in values, stripping away the color to reveal the underlying structure and light, if you like. What I wonder about, gazing at these engravings, is the narrative that these artists would want to transmit. Is there something special, in your opinion, about it? Editor: I'd say the combination of earthly patronage and divine presence makes it intriguing, with that dynamic between worldly power and spiritual devotion. It really emphasizes the personal relationship with religion characteristic of the Baroque era. Curator: Well observed. It makes you wonder about those donors doesn't it – what were their lives, their hopes, their place within this historical-devotional context? It's always about those questions behind the surface, the untold stories whispering to you, don't you think? Editor: Definitely food for thought... thinking about their identities enriches the experience. Thanks!

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