Maria en Kind aanbeden door Carolus Borromeus en de H. Barbara 1755

Etienne Fessard created this print depicting The Virgin and Child adored by Saint Charles Borromeo and Saint Barbara. Made in France, it exemplifies the religious art that flourished under the patronage of the Catholic Church. Religious institutions were central to the artistic ecosystem of the time and this print reflects the Church's promotion of its saints and doctrines. This print is a window into the complex interplay between religious belief, social order, and artistic production in 18th-century Europe. The composition and the inclusion of specific saints are not accidental. They reflect deliberate choices made within a particular cultural and institutional context. To fully understand it, we need to look at the history of the Church during this time, theological debates, and the lives of the saints depicted. By delving into these aspects, we can gain a deeper appreciation for the social and institutional forces that shaped its creation.