Tobias en de engel bij Maria met kind en de H. Hieronymus 1822

Etienne Frédéric Lignon created this print, titled *Tobias and the Angel with Mary and Child and St. Jerome,* in the 18th or 19th century, a period marked by significant shifts in religious and social structures. Here, Lignon engages with themes of divine intervention, innocence, and scholarly wisdom, all set against the backdrop of traditional Christian iconography. Note how Mary, the quintessential maternal figure, is central. She cradles the infant Jesus, a symbol of purity and new beginnings. The figures of Tobias, the angel, and St. Jerome, with his symbolic lion, add layers of narrative depth, evoking stories of healing, guidance, and spiritual insight. Reflect on how Lignon's print presents familiar religious subjects, yet it also invites us to consider the emotional and personal dimensions of faith, presented with a composed and thoughtful tone.