Negende Olympiade (Olympische Spelen) te Amsterdam, 1928 1928

Curator: This bronze relief, titled "Negende Olympiade (Olympische Spelen) te Amsterdam, 1928," was created by Johannes Cornelis Wienecke. Editor: Wow, a medallion that’s all brawn and brain! I’m getting vibes of classic athleticism blended with...municipal planning? Is that even a thing? Curator: The composition certainly creates an intriguing juxtaposition. The obverse features a classical depiction of nude figures holding symbolic objects, juxtaposed with a stadium facade. Note how Wienecke employs classical realism. Editor: Right? One side you’ve got the sporty gods and goddesses flaunting their abs, then flip it and BAM, a bridge and building complex that screams, well, not “Greece,” more like "We got our infrastructure budget approved!". A little stiff but beautiful nonetheless. Curator: It's a medal that tries to embody the ideals and spirit of the 1928 Olympic Games. The use of bronze further anchors the piece in both history and artistic tradition. It is history writ in high relief! Editor: So true! Think of how many palms, sweaty with victory or trembling with disappointment, have handled this little chunk of golden glory. This medal carries within it stories that are long forgotten, yet imprinted, almost like another layer on top of what is already on display. It's a time capsule! Curator: I find the symbolism quite compelling when understanding the use of figuration—an exploration of athletic achievement cast in material form, representing both tangible and intangible accomplishments. Editor: Looking at the two sides together makes me wonder if Wienecke saw a link between building strong bodies and building a strong city. Like, "You gotta sweat and strain for both, people!". So even if I laugh, I kinda get it now. I think. Curator: In its unique way, this object speaks volumes about the spirit of competition and civic pride. Editor: Agreed, and, let's be honest, it reminds us that the ancient tradition of immortalizing moments in metal lives on! What's not to love?