Blue and Violet Study 1965

Editor: Peter Sedgley's Blue and Violet Study presents a mesmerizing circle of light against a dark void. The concentric rings create a vibrating, almost pulsating effect. What do you see in this piece? Curator: The interplay of figure and ground is paramount. The sharp contrast between the blue and black establishes a clear visual hierarchy. The chromatic intensity of the blue draws the eye inward, inviting prolonged contemplation of its form. Editor: Do you think the simplicity of the form limits the interpretation? Curator: Quite the contrary. The circle, a universal symbol of wholeness, allows the viewer to focus on the subtleties of colour and line. Note the subtle gradations within the blue, achieved through meticulous layering. How does that strike you? Editor: I see it now; the variation in hue adds depth. I appreciate how focusing on form reveals more than I initially perceived. Curator: Precisely. By attending to the formal elements, we unlock the artwork's potential for visual and intellectual stimulation.