Soldats russes se préparant par le jeune ... by Honoré Daumier

Soldats russes se préparant par le jeune ... c. 19th century

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lithograph, print

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lithograph

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print

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caricature

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genre-painting

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history-painting

Curator: I find myself initially struck by the gauntness portrayed. There’s a tangible sense of deprivation, would you agree? Editor: Indeed. We're looking at a lithograph from around the 19th century by Honoré Daumier, titled "Soldats russes se préparant par le jeune et l'abstinence, à monter à l'assaut de Silistrie"—or "Russian soldiers preparing by youth and abstinence, to mount the assault on Silistria." It’s a sharp satire. Curator: Satire is putting it mildly! The skeletal figures, hunched over, embody a kind of forced asceticism. It’s a visual commentary on power structures and how they exploit bodies in times of conflict. Look at their weapons juxtaposed with their frail stature, as if their emaciation is some form of military advantage. Editor: The skeletal soldiers definitely present images of decay and depletion. Their tall, almost pointed hats, paired with equally slender spears or bayonets, certainly suggest the sharpness or even ruthlessness needed for the conflict in question. The officer's extravagant hat plumage is a very different symbolic direction—strength? Power? Curator: The officer is presented in stark contrast. Puffed up with pride and disconnected from the grim reality of his troops. The artist is questioning militaristic glory, juxtaposing it with the suffering upon which it is built. We see so much dark inking concentrated on the bodies of the ordinary men as a deliberate comment on the role that many citizens played as ‘cannon fodder.’ It underscores class divisions, doesn't it? Editor: Absolutely. And thinking about symbols of warfare: the title refers to their abstinence, yet are these truly virtuous qualities being depicted? It's meant ironically—more of a reflection on the deprivations and lack of substance inflicted by the political climate. Curator: Daumier certainly invites a reading about exploitation of bodies on so many different levels here, as soldiers were, and still are, instruments of political agenda. A lot of sacrifice and loss, as rendered with pointed emotional intention by the artist. Editor: It's an enduring image with layers of historical insight—quite potent.

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