Une station infiniment trop prolongée by Honoré Daumier

Une station infiniment trop prolongée c. 19th century

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drawing, lithograph, print, graphite

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drawing

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lithograph

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print

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caricature

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romanticism

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graphite

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cityscape

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genre-painting

Copyright: National Gallery of Art: CC0 1.0

Curator: Ah, the sheer oppressiveness of a delayed commute! What springs to mind when you first observe Honoré Daumier's lithograph, dating from around the 19th century, "Une station infiniment trop prolongée"? Editor: Chaos! A visual symphony of discontent. Everyone looks utterly miserable – huddled figures caught in a downpour. It feels… claustrophobic, despite the outdoor setting. Curator: That sense of confinement, even within the public sphere, speaks volumes about 19th-century anxieties regarding burgeoning urban life. Daumier, a master of social commentary, frequently used lithography to capture the zeitgeist of Paris. Notice how he emphasizes class distinctions, despite the unifying weather? Editor: Yes, the top hats and tailored suits pressed right up against more… modest attire. There’s a real sense of social friction, isn’t there? Each umbrella an individual shield, warding off both rain and unwanted interaction. The symbol of an individual facing hardships Curator: Precisely. The rain, etched with such relentless strokes, acts as a leveling force, yet the underlying societal structures persist. Consider the psychological implications— the waiting becomes a shared crucible, exaggerating existing tensions and anxieties. The artist uses lithograph to make people reflect of these social anxieties in France Editor: And the artist's mark making— so gestural, so immediate. It lends the whole scene an incredible urgency, as if we are right there, damp and impatient alongside these folks. There's something almost expressionistic about the lines that suggest both the rain and the internal emotional states of his subjects. It's a potent image of urban alienation. Curator: His talent lies in elevating what would otherwise be an ordinary snapshot of modern life to an archetypal scene, mirroring collective fears about progress and urbanization. We're still talking about delayed commutes today! It speaks to a deep cultural continuity. Editor: Indeed. The endless wait transcends mere inconvenience; it becomes a microcosm of larger societal discontents. I'll think of this next time my train is late. Curator: A poignant reminder that certain struggles resonate across centuries, doesn’t it? Thanks to art and psychology that capture human anxieties and its transformation due the society.

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