The Clown 1953

Editor: This marble sculpture, titled "The Clown" by Marion Perkins, was created in 1953. Its smooth, cool surface and simplified features give it an almost ancient quality. What do you see in the composition that strikes you? Curator: The compelling aspect is Perkins’ manipulation of form and texture. Observe how the coarse texture of the hair sharply contrasts with the polished planes of the face. This juxtaposition, rather than any representational accuracy, conveys the essence of "clown." The ovoid shapes used for the eyes and mouth contribute to this abstraction. Editor: It's interesting how the texture becomes so central to understanding the subject, like it's defining the clown more than any traditional costume might. Is that tension between texture and form deliberate, do you think? Curator: Precisely. Note the subtle curves and angles, seemingly simple yet meticulously carved to create this unified, singular form. The work pushes the boundaries of abstraction, moving beyond mere representation. The choice of marble, typically associated with classical sculpture, further complicates our reading, doesn't it? Editor: It really does. I’m so used to seeing marble used for classical figures, seeing it used for such a modern, almost abstract, subject is jarring but so effective. I never would have considered the materiality this deeply. Curator: By examining its formal properties—texture, shape, and material—we uncover the depth of meaning inherent in "The Clown." Editor: This really opened my eyes. Now I realize that looking at how something is made is just as important as what is made. Curator: Indeed, and by engaging in the formalist approach we move towards a better appreciation of the intrinsic properties of the piece.