Image 1951 - 1952

Curator: This sculpture by Dame Barbara Hepworth draws my attention to the interconnectedness of internal and external spaces, particularly in relation to the female form. Editor: It's an undated sculpture, simply titled "Image," located at the Tate. It's made of stone, and I'm struck by the contrast between its smooth surfaces and the rough texture of the material. What do you see in it? Curator: The pierced forms challenge traditional notions of sculpture as solid and impenetrable. Think about Hepworth's context; her work coincided with a period of social change, including evolving definitions of women's roles. Could these openings represent a breaking down of barriers, a claiming of space? What do you think? Editor: That's a fascinating point. I hadn't considered that. I was so focused on the formal elements. I see what you mean, it's like she's carving out a new space for women in art, and society. Curator: Exactly. And the title, "Image," is almost defiant in its simplicity. It forces us to confront what we project onto it. I'm glad we discussed it. Editor: Me too! I see so much more in it now.