ceramic, sculpture, terracotta
sculpture
ceramic
figuration
form
sculpture
terracotta
indigenous-americas
Dimensions H. 7.6 cm (3 in.)
Curator: Here we have a striking piece, the "Double-Chambered Vessel," possibly dating back to between 100 and 700 CE from Teotihuacan. Editor: Oh, it has such a weighty presence, doesn't it? It feels like holding a miniature, ancient head in your hands – quite grounding somehow. I’m curious about that clay. Curator: The ceramic itself, the way it feels so undeniably earthen, really brings to mind its creation process. Think of the labor, the gathering of the clay, the shaping... it makes me consider the resources at hand and the hands that meticulously molded it. Editor: It’s captivating, isn't it? There's a distinct dreamlike quality to it – two cavities gazing heavenward while that enigmatic face remains firmly planted on Earth. The asymmetry gives it this feeling, you know? Like something caught between realities. Curator: Exactly! Consider that duality as part of its possible function – liquid and solid? Offering and… storage? The very act of pressing one's hands into the clay, giving it form and function. Who were they making it for, and how did they imagine its use? Editor: And the incised face - so serene. It feels like some kind of earth spirit, the way that single small hole indicates its gaze. I feel transported looking at the material presence. What kind of stories do you think that face could tell? Curator: A narrative of process, undeniably. But also the potential connection of Teotihuacan artists working in similar ways, reflecting possible trading relationships or at the very least shared values concerning resourcefulness and communal practice. Editor: Beautiful! This object seems to want to have lived a double life, between mundane vessel and ritual form. Curator: Perhaps we’ve both glimpsed one part of its rich, mysterious reality, then.
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