Cassia Blossom from a Flower Album of Ten Leaves by Xiang Shengmo

Cassia Blossom from a Flower Album of Ten Leaves 1656

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painting, watercolor, ink

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water colours

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painting

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asian-art

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landscape

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watercolor

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ink

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botanical art

Dimensions 12 1/8 x 9 1/16 in. (30.8 x 23 cm)

Xiang Shengmo painted this Cassia Blossom from a Flower Album of Ten Leaves using ink and color on paper. This piece exemplifies traditional Chinese painting techniques, where the quality of the line and wash is paramount. The artist's skilled handling of the brush is evident in the delicate rendering of the blossoms and leaves, which are built up through layers of subtle color washes. This method reflects a deep understanding of the materials, and also a commitment to a time-honored artistic practice. In Chinese art, the choice of subject matter is never arbitrary; flowers, in particular, are associated with the changing of the seasons, and symbolize deeper philosophical concepts such as the transient nature of beauty. The very act of painting, with its emphasis on controlled brushstrokes, further reinforces the artist's self-discipline and understanding of the cosmos. Paying attention to the materials and processes used in the creation of this artwork allows us to appreciate the profound meaning behind this seemingly simple floral study.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Xiang Shengmo was born into one of the most prestigious families in Jiaxing, a city in northeastern China. When the Manchu invasion reached Jiaxing, in 1645, many of Xiang’s friends and relatives died in a vain attempt to save their city. His homestead was destroyed and his family’s art collections lost. Following this upheaval, Xiang’s painting changed from an amateur, literati pursuit, becoming a source of income. Xiang was at the height of his technical and expressive powers when he created this album, featuring a wide range of flowers including wintersweet, cockscomb, apricot, pear, daylily, and cassia. He worked here in pure color without ink outlines and in shaded brushstrokes, which give the impression of three-dimensional modeling.

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