Epidendrum Blossom from a Flower Album of Ten Leaves by Xiang Shengmo

Epidendrum Blossom from a Flower Album of Ten Leaves 1656

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painting, paper, ink, color-on-paper

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natural world styling

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painting

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asian-art

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leaf

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culinary art

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paper

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ink

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color-on-paper

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line

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botanical art

Dimensions 12 1/8 x 9 1/16 in. (30.8 x 23 cm)

Xiang Shengmo created "Epidendrum Blossom from a Flower Album of Ten Leaves" using ink and color on paper during a period of cultural transition in China. As the Ming dynasty gave way to the Qing, artists like Shengmo navigated complex questions of identity and allegiance. Here, the delicate rendering of orchids transcends mere botanical study. In traditional Chinese culture, orchids symbolize integrity, refinement, and nobility. For Shengmo and his literati contemporaries, painting became a means of expressing personal values and dissent amidst political upheaval. The choice of the orchid is particularly poignant. Unlike more ostentatious blooms, orchids possess a subtle, understated beauty, mirroring the artist's own desire to maintain his moral compass in turbulent times. The subtle washes of color and meticulous brushwork evoke a sense of quiet contemplation. The painting embodies a longing for a return to simpler times. This deeply personal expression invites us to consider how art becomes a vessel for cultural memory.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Xiang Shengmo was born into one of the most prestigious families in Jiaxing, a city in northeastern China. When the Manchu invasion reached Jiaxing, in 1645, many of Xiang’s friends and relatives died in a vain attempt to save their city. His homestead was destroyed and his family’s art collections lost. Following this upheaval, Xiang’s painting changed from an amateur, literati pursuit, becoming a source of income. Xiang was at the height of his technical and expressive powers when he created this album, featuring a wide range of flowers including wintersweet, cockscomb, apricot, pear, daylily, and cassia. He worked here in pure color without ink outlines and in shaded brushstrokes, which give the impression of three-dimensional modeling.

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