Verhaal met voorstellingen van moord en doodstraf (F. 794.) by Abraham Dircksz. Santvoort

Verhaal met voorstellingen van moord en doodstraf (F. 794.) 1667

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print, engraving

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narrative-art

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baroque

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print

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line

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history-painting

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engraving

Dimensions height 154 mm, width 95 mm

Editor: This engraving by Abraham Dircksz. Santvoort from 1667, titled *Verhaal met voorstellingen van moord en doodstraf*… it’s essentially a comic strip depicting violence. There's a bleak feeling seeing all of these small stories crammed together on one page. How do you interpret the symbolism and story in this image? Curator: What catches my eye are the embedded symbols. The print itself, given its miniature scale, almost acts like a mnemonic device. Think of memory palaces—each panel triggers recall of larger historical or mythical narratives. See the panel depicting a person in prison? It's not *just* imprisonment. Consider its cultural weight, what imprisonment might signify – oppression, loss of freedom, and perhaps even injustice depending on the viewer. What figures in this composition do you recognise? Editor: Well, the final panel clearly shows a hanging, and before that, someone appears to be on horseback, maybe riding away after a crime. Curator: Indeed! But observe how even seemingly straightforward imagery contains layers. A horse signifies not just escape but power, status. A gallows doesn’t merely show punishment. The imagery resonates in the collective conscience through its long cultural association with shame, deterrence, and societal control. It acts as an emotional signifier, doesn't it? Editor: So it’s like each scene, even without specific knowledge, taps into deep-seated fears and anxieties around crime and punishment? Curator: Precisely! Consider the effect on the contemporary viewer, someone raised on parables and steeped in allegorical thinking. These panels were like visual touchstones, instantly connecting viewers to moral frameworks. They remind us that images are not just records, they are also active participants in the construction of shared understanding. Editor: That's fascinating. It’s much more than just illustrations, it is encoding information and values to the audience! I will definitely be thinking about art differently after this experience!

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