Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969) by Adriaan J. van 't Hoff

Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969) Possibly 1932

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drawing, paper, ink, pen

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drawing

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aged paper

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script typography

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hand-lettering

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ink paper printed

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sketch book

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hand drawn type

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paper

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personal sketchbook

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ink

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hand-drawn typeface

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sketchbook drawing

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pen

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sketchbook art

Curator: Here we have "Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969)", a letter potentially dating back to 1932, created by Adriaan J. van 't Hoff. It's rendered in ink on paper, and you can see it here at the Rijksmuseum. Editor: The very first thing that strikes me is how deliberately formal this document feels, yet it's a simple, practical piece. It's that crisp handwriting, almost like a printed typeface, lending it a character both personal and official. Curator: Absolutely. Considering the period, this correspondence reflects the cultural norms around art acquisition. Van 't Hoff is essentially cold-calling, hoping to get his lithographs and etchings into the Rijks Prentenkabinet collection. This tells us a lot about how artists had to hustle and the institutional gatekeeping they faced. Editor: I find that balance between aspiration and deference interesting too. He writes "Hooggeachte Heer," then promptly offers his work for consideration. The elaborate signature is the true key. All that concentrated energy perfectly exemplifies an artist marketing themself. Curator: And we must consider the weight of visual presentation at that time. A meticulously crafted letter presented an image of professionalism and dedication. Think of the social pressure to maintain appearances. Editor: Right, this neat script speaks to a deeper desire for artistic legacy. I wonder, were his works eventually acquired by the Rijksprentenkabinet? Curator: Archival records might reveal if his efforts bore fruit. This letter offers a unique window into the art world’s transactional nature of the era and also of today. Editor: This peek behind the scenes illuminates how crucial networks and marketing savvy always were for artists. And perhaps, with the ubiquity of images today, seeing the work put into securing art sales creates greater understanding for all artistic value.

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