Old Point Comfort, Virginia, from the Surf Beauties series (N232), issued by Kinney Bros. by Kinney Brothers Tobacco Company

Old Point Comfort, Virginia, from the Surf Beauties series (N232), issued by Kinney Bros. 1889

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drawing, print, watercolor

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portrait

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gouache

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drawing

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pictorialism

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print

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figuration

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watercolor

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genre-painting

Dimensions Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Editor: This is "Old Point Comfort, Virginia, from the Surf Beauties series," a print drawing and watercolor by Kinney Brothers Tobacco Company, around 1889. It looks like it's printed on card stock. It’s a peculiar little piece. What immediately strikes me is how deliberately posed and symmetrical the figure is. What's your take on it? Curator: Indeed. From a formalist perspective, let's consider the interplay of color. Note the careful distribution of red throughout the figure's attire, contrasting with the cooler greens in the towel and stockings. Do you observe how this color arrangement contributes to a balanced, yet dynamic composition? Editor: Yes, the red does seem very contained, almost artificially so. It feels a little jarring against the greens. Curator: Precisely. This jarring effect is further amplified by the flatness of the rendering. The minimal use of shading or perspective flattens the figure against the ambiguous background, creating a visual tension between representation and abstraction. The gaze is directed, certainly, yet is oddly confrontational. What do you make of it? Editor: I see that. It’s like she's performing the act of being at the beach. Not exactly organic or even natural. So much about it is posed for presentation. Curator: Exactly. And what about the structural repetitions? Observe the similar bands on her top and bottom and how they act as visual weights that contribute to the sense of carefully arranged artifice. In semiotic terms, the entire image reads like a sign—a constructed representation devoid of depth and authentic experience. This flatness calls into question what message Kinney Brothers Tobacco Company was attempting to convey. Editor: I never would have thought about all those structural choices, all that careful balance! The print seemed straightforward at first glance, but it's incredibly complex. Curator: Precisely, a rigorous look at the structural components encourages a complete analysis. The surface might appear straightforward, however it hides several depths waiting to be engaged.

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