About this artwork
Kinney Brothers Tobacco Company created this small chromolithograph titled "St. Brelade, Channel Islands" as part of their "Surf Beauties" series. The dominant visual experience of this piece lies in the interplay between the vibrant colors and the structured, almost geometric, rendering of the figure. The contrasting hues of the red robe, blue swimwear, and green stockings create a striking visual rhythm that is quite arresting. Structurally, the composition centers on the figure, whose pose seems caught between movement and stillness. The artist employs a semiotic system where color and form communicate social and cultural ideals. The woman’s attire, while revealing, is also highly stylized, suggesting a constructed image of beauty and leisure. The background, with its beach huts and distant figures, adds to the sense of a carefully composed scene rather than a spontaneous snapshot. Ultimately, the artwork functions as more than just an advertisement; it's a cultural artifact reflecting late 19th-century perceptions of femininity, leisure, and representation, inviting ongoing interpretation and debate.
St. Brelade, Channel Islands, from the Surf Beauties series (N232), issued by Kinney Bros. 1889
Kinney Brothers Tobacco Company
1869 - 2011The Metropolitan Museum of Art
Metropolitan Museum of Art, New York, NYArtwork details
- Medium
- drawing, coloured-pencil, print, watercolor
- Dimensions
- Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)
- Location
- Metropolitan Museum of Art, New York, NY
- Copyright
- Public Domain
Tags
portrait
drawing
coloured-pencil
impressionism
watercolor
coloured pencil
men
watercolour illustration
watercolor
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About this artwork
Kinney Brothers Tobacco Company created this small chromolithograph titled "St. Brelade, Channel Islands" as part of their "Surf Beauties" series. The dominant visual experience of this piece lies in the interplay between the vibrant colors and the structured, almost geometric, rendering of the figure. The contrasting hues of the red robe, blue swimwear, and green stockings create a striking visual rhythm that is quite arresting. Structurally, the composition centers on the figure, whose pose seems caught between movement and stillness. The artist employs a semiotic system where color and form communicate social and cultural ideals. The woman’s attire, while revealing, is also highly stylized, suggesting a constructed image of beauty and leisure. The background, with its beach huts and distant figures, adds to the sense of a carefully composed scene rather than a spontaneous snapshot. Ultimately, the artwork functions as more than just an advertisement; it's a cultural artifact reflecting late 19th-century perceptions of femininity, leisure, and representation, inviting ongoing interpretation and debate.
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