Berlin Blues 4 by  William Scott

Berlin Blues 4 1965

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Dimensions: support: 1530 x 1835 mm frame: 1542 x 1846 x 35 mm

Copyright: © The estate of William Scott | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: William Scott’s *Berlin Blues 4* features arrangements of shapes in blue. It strikes me as both playful and somber at the same time. What do you see in this piece? Curator: The repeated shapes echo like memories, don't they? These simple forms—triangles, ovals—resonate with archetypal symbols. The blue, a colour often linked to contemplation, hints at a deeper, perhaps melancholic, narrative. Notice how the shapes both connect and remain isolated. Editor: Yes, that push and pull between connection and isolation really stands out. What could that symbolize? Curator: Perhaps Scott is exploring the duality of the Berlin experience—a city marked by both division and a longing for unity. Think of how the colour blue can represent both serenity and sadness. These shapes, arranged almost like hieroglyphs, invite us to decipher their hidden meaning. Editor: That's fascinating, I didn’t think about it that way. Thanks for sharing those insights. Curator: My pleasure. It's amazing how simple forms can carry such weight, isn't it?

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tate 3 months ago

http://www.tate.org.uk/art/artworks/scott-berlin-blues-4-t00795

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tate's Profile Picture
tate 3 months ago

Scott spent a scholarship year in Berlin in 1963-4. According to him, the title for this painting, was chosen because it was one of a group of blue pictures started in Berlin and the particular blue pigment he used for them was discovered by him in that city. He commented that in this work the spatial relationships in his composition had become more symmetrical and Byzantine in origin. In the mid-1960s Scott simplified and clarified his paintings, using bolder shapes and eliminating textural contrasts. Paint was evenly and thinly applied, as here. Gallery label, September 2004