[title not known] by Patrick Heron

[title not known] 1998 - 1999

0:00
0:00

Dimensions: unconfirmed: 670 x 800 mm

Copyright: © Estate of Patrick Heron. All Rights Reserved, DACS 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: At first glance, it feels spontaneous, almost playful, with its blots and rings. Editor: This print comes to us from Patrick Heron. Though untitled, it offers a compelling look at his engagement with abstract forms and color, characteristic of his work from the latter half of the 20th century. Curator: And the materiality? I'm curious about the paper choice and the printmaking process itself. It looks like the artist employed some sort of layering. Editor: Indeed. The textures visible suggest a deliberate process—perhaps several plates—to achieve this layered effect. Consider the economic implications of access to such materials and techniques at this time, and how that situates Heron within a specific artistic landscape. Curator: The composition draws me in, with these shapes and rings moving about the picture plane. It feels dynamic, yet balanced by the cool palette. Editor: A fascinating interplay of form and context, wouldn't you agree? Curator: Absolutely. Each viewing reveals another layer of intention. Editor: Precisely, and the material history embedded within adds so much.

Show more

Comments

tate's Profile Picture
tate 2 days ago

http://www.tate.org.uk/art/artworks/heron-title-not-known-p78353

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate 2 days ago

The suite of prints from which this etching is taken is one of the last works Patrick Heron made before his death. Over a period of three months between December 1998 and March 1999, Heron worked in his studio with the printer Hugh Stoneman, making drawings for fifteen works in total, from which he selected the eleven plates that make up the portfolio. He finished the drawing for the colophon page on the morning of the day he died. Heron approved the proofs and decided on a sequence for presenting the works shortly before his death. The etchings were printed posthumously, overseen by the artist’s two daughters.