Woman's head band c. 1970s

Curator: Our next piece is a "Woman's head band," dating back to around the 1970s. The band is attributed to the Sema Naga people, and it’s part of the Minneapolis Institute of Art collection. Editor: Well, my first impression is the dynamic contrast. The textures jump out immediately; there’s a clear interplay between the woven band and those bright, almost feathery tassels. It creates an interesting rhythm visually. Curator: Exactly. The formal construction relies heavily on the geometric repetition of woven patterns in warm tones contrasted with the punctuated bursts of red. It suggests careful attention to detail, employing techniques in textile work that showcase the culture's weaving practices. The semiotic layering of colour is not incidental. Editor: Agreed, but isn't the context equally crucial? Naga textile art often carries symbolic meanings, communicating social status, clan affiliation, or ceremonial roles within the community. How does this piece fit into that framework? Was this band for everyday wear, or something more specific, like a festival adornment? Curator: Good questions. While pinpointing its exact purpose without more specific ethnographic information is difficult, we can analyse the choices made regarding its creation. Note how the bright colours are used. Do they provide an intended contrast? Is there value in the visual weight of the tassels? Editor: I see what you mean. Thinking about who crafted this headband, the cultural implications for Naga women as artists is something to consider, especially during the 1970s. Curator: Certainly, thinking through who has the power to produce art helps understand a work's role and context in society. Editor: And it is interesting to look at a wearable piece in a collection outside of that original community context! I find myself now pondering how cultural objects from a community get displayed. Curator: Indeed. From a design and cultural view this head band makes me want to see the entire ensemble it could belong to. Editor: For me, thinking about the original community deepens its worth as a social and artistic artefact.