Untitled 1994

This ‘Untitled’ painting by Moshe Kupferman is filled with vertical lines in muted colours like grey, red and white. I like to imagine Kupferman in his studio, layering each stripe with care. You can sense his intention and feel his presence, can’t you? The lines aren’t perfect; they waver and fade, revealing the layers beneath. It’s like he’s searching for something, maybe a rhythm or a hidden structure. I love the idea of the canvas as a site of inquiry, a place where he can ask questions and explore possibilities. The surface is built up with thin layers of paint. These translucent layers create a sense of depth and texture. The overall effect is one of quiet contemplation, a visual poem of subtle variations and delicate balances. I like to think of all artists as being in one big conversation. Kupferman’s approach feels like he’s speaking to Agnes Martin, but with his own distinct voice. They share a love for simplicity and repetition, but Kupferman brings a certain vulnerability.