drawing, paper, ink
drawing
paper
text
ink
Copyright: Rijks Museum: Open Domain
This is a letter to Françoise W.M. Bonger from Charles Chetham, dated February 2, 1959. The letter’s visual structure, its composition and the materiality of paper and ink offer a subtle tableau of human communication. The letter is divided into distinct blocks of text arranged symmetrically on the page. Its lines of text create a pattern of horizontal and vertical elements, a grid-like structure, reminiscent of modernist typography. The typewriter font gives the words a machine-produced quality, yet the personal signature at the bottom introduces a human element to the piece, disrupting the uniform aesthetic. The creases from folding and mailing further interrupt the flat surface, creating a sense of history and use. Here, the formal qualities, from the structured layout to the tactile feel of the paper, illustrate the convergence of personal expression and formal constraint. We are reminded that every form of communication, whether a handwritten note or a piece of abstract art, embodies a complex interplay of structure, intention and reception.
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