Division Viol 1692

This Division Viol was crafted by Barak Norman around the late 17th to early 18th century. The instrument’s form and materiality suggest an exploration into the harmony between visual and auditory experience. The viol presents a complex interplay of visual elements. Its wooden body, shaped by the elegant curves and precise lines of its f-holes, creates a visually pleasing symmetry. The choice of wood, with its rich, warm hues and natural grain, emphasizes the instrument's organic nature. Ebony embellishments contrast with the lighter wood, accentuating the instrument's structural lines. The neck features intricate inlays, adding a layer of visual complexity that complements the instrument's overall design. This aesthetic attention reflects a broader cultural interest in music as a form of mathematical and spiritual expression. The viol, therefore, transcends its function as a mere musical tool. It embodies a fusion of visual art and sonic potential, inviting us to contemplate the relationships between sight and sound.