Dimensions: unconfirmed: 390 x 305 mm
Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Keith Arnatt's black and white photograph, "Walking the Dog," captures a seemingly mundane moment. The man's slightly awkward pose, combined with the dog's attentive gaze, creates a strangely compelling image. What do you see in this piece, beyond the surface? Curator: I see a commentary on the performance of the everyday. Arnatt, working in a period of intense social upheaval, highlights the absurdity of societal norms. The act of "walking the dog" becomes a stage for examining human-animal relations within capitalist structures. Where does the agency lie? Is the man walking the dog, or is the dog walking the man? Editor: That's fascinating. I hadn't considered the power dynamics at play. It challenges the simple narrative I initially perceived. Curator: Precisely. And consider the backdrop, a seemingly natural space, yet undeniably shaped by human intervention. It’s a reminder that even our leisure activities are interwoven with complex social and political landscapes. These intersections are key to his practice. Editor: It gives me a lot to think about – thank you! Curator: My pleasure! It is important to question what we think we already know.
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Walking the Dog is a large series of black and white photographs of individuals standing outside with their dogs. While the locations depicted in the photographs vary from street pavements and country lanes to parks and gardens, all the images in this series share consistent formal characteristics: in each case the single owner stands full-length in the centre of the image facing the camera with the dog at their feet, and no other human or animal can be seen within the tightly framed square shot.