Dimensions: unconfirmed: 390 x 305 mm
Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is Keith Arnatt's photograph, "Walking the Dog," from the Tate collection. There's no date associated with it, but I'd place it somewhere in the conceptual art period, given Arnatt's focus. Editor: It's charming, in a subdued way. A man, his dog, a walking stick... a portrait of ordinariness, I suppose. Curator: Absolutely. Arnatt was really interested in exploring the everyday. His process often involved intervening in public spaces, documenting those interventions, and then presenting them as art. The black and white tonality here also speaks to the history of documentary photography, and its claims to truth. Editor: It feels melancholic somehow, almost wistful. The snow on the ground, the simple dress... it's unpretentious and quietly moving. It makes me think about time passing. Curator: Right, and if we look at his other work, there's often a questioning of what constitutes art, and who gets to decide. The simple act of walking a dog can become a subject for artistic consideration. Editor: It really does make you think. Such a simple scene, elevated by the artist's gaze. A nice reminder to appreciate the little moments. Curator: Yes, perhaps it's a prompt to re-evaluate our own roles in the production and consumption of images.
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Walking the Dog is a large series of black and white photographs of individuals standing outside with their dogs. While the locations depicted in the photographs vary from street pavements and country lanes to parks and gardens, all the images in this series share consistent formal characteristics: in each case the single owner stands full-length in the centre of the image facing the camera with the dog at their feet, and no other human or animal can be seen within the tightly framed square shot.