Dimensions: unconfirmed: 390 x 305 mm
Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is Keith Arnatt’s photograph, “Walking the Dog,” and it is held in the Tate Collections. Editor: It strikes me as a very staged, self-aware portrait of a man and his rather noble-looking dog. A little bit formal, a little bit cheeky, perhaps? Curator: The dog becomes a symbol, perhaps of domesticated nature, loyalty, or even the artist's own "pet" ideas. Editor: I like how the greyscale flattens everything, so the layers of landscape become almost like theatrical backdrops. Arnatt feels a bit like he's in a play. Curator: Absolutely. Consider how the town behind them acts almost like a cultural memory, a palimpsest of human habitation. Editor: I almost want to giggle, but there is something tender about this man, standing very proper with his pal. Almost as if he's trying to contain some unruly thought. Curator: It invites contemplation on how we position ourselves within landscapes and the stories we tell about belonging. Editor: Yes, I think it's both funny and quietly moving. That is some tricky tonal balancing to achieve.
Comments
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
Walking the Dog is a large series of black and white photographs of individuals standing outside with their dogs. While the locations depicted in the photographs vary from street pavements and country lanes to parks and gardens, all the images in this series share consistent formal characteristics: in each case the single owner stands full-length in the centre of the image facing the camera with the dog at their feet, and no other human or animal can be seen within the tightly framed square shot.