drawing
portrait
drawing
16_19th-century
academic-art
realism
Dimensions height 150 mm, width 100 mm, height 335 mm, width 255 mm
Gijsbertus Craeyvanger made this portrait of Antonio Antonucci using graphite and brush in the 19th century. The artist employed hatching and cross-hatching to build up tone and volume, particularly noticeable in the rendering of Antonucci's face and clothing. This meticulous process involves layering fine lines to create depth and shadow. The use of graphite allows for a subtle range of tones, and the contrast between light and dark areas gives the portrait a sense of three-dimensionality. This contrasts with the swiftness and gestural quality of painting; this detailed, controlled work seems quiet and reserved. The labor-intensive nature of graphite drawing in the nineteenth century underscores the value placed on skill and craftsmanship. Recognizing the artistic intention, along with the physical labor and social context that gave rise to this work, allows us to expand our understanding of its meaning.
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