Opening van de Nieuwe Beurs te Londen en oprichting van een standbeeld voor de hertog van Wellington 1844
print, metal, sculpture, engraving
portrait
neoclacissism
metal
sculpture
cityscape
history-painting
engraving
Dimensions: diameter 4.4 cm, weight 29.94 gr
Copyright: Rijks Museum: Open Domain
Editor: Here we have Joseph Davis’s 1844 metal print, “Opening van de Nieuwe Beurs te Londen en oprichting van een standbeeld voor de hertog van Wellington.” It’s interesting how both the architectural space of the Exchange and the equestrian statue are captured on one surface. What formal elements stand out to you in this piece? Curator: The duality is compelling, isn’t it? Notice how the artist uses a circular format to contain two distinct but related subjects. On one side, the architectural facade of the Exchange, meticulously rendered with rows of columns, creates a strong horizontal emphasis. On the other side, the equestrian statue introduces a vertical counterpoint. The engraver’s line, crisp and controlled, lends a neoclassical formality to both. How does the contrast between these two sides affect your understanding of the work as a whole? Editor: I see what you mean. The crisp lines give a sense of order, and the contrast definitely emphasizes the importance of both the building and the Duke. Do you think the circular format is symbolic in any way? Curator: A compelling question. Consider the implications of enclosure versus unboundedness. The circular boundary reinforces a sense of self-contained, official commemoration. Think, too, of the tactile nature of a coin or medal—the cool metal between one’s fingers, which can be flipped to see each image. Is there any possibility of a visual relationship being created by how the objects are laid out? Editor: That’s an interesting perspective. So it's less about what's *depicted* and more about how the design *functions* as an object? That makes me appreciate the artist's choices in composition even more. Curator: Precisely. Sometimes the power of art resides not in what it shows, but in how it is constructed to function visually and conceptually. Considering this further gives a much greater insight into the choices and strategies artists take with their work.
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