Plattegrond van Rome in de Romeinse tijd (tweede deel) 1639 - 1691

Editor: Here we have “Plattegrond van Rome in de Romeinse tijd (tweede deel)”, or “Map of Rome in Roman times (part two)”, created between 1639 and 1691. It’s an engraving by Étienne Dupérac, housed at the Rijksmuseum. It reminds me of a highly detailed bird's-eye view...almost like an architectural blueprint but for an entire ancient city. What really strikes you about this piece? Curator: It’s so easy to get lost in the delicate lines and imagined perspectives, isn't it? When I look at Dupérac's map, I’m immediately transported – not just to ancient Rome, but also to the *idea* of Rome, heavily influenced by Renaissance ideals. Dupérac wasn’t simply documenting; he was rebuilding a vision, based on scholarship and imagination. Look at the density, almost like a tapestry. What feelings does this create for you? Editor: The density feels…overwhelming. Like trying to understand a history book with too many footnotes. But I also appreciate how it captures the immense scale and complexity of Rome. It wasn't just a city, but a symbol of power and civilization. Curator: Exactly! And it makes you wonder about what he chose to include, and what he didn't, and *why*. Remember, these maps were often political tools, reflecting the aspirations of their patrons as much as the realities of the past. Can you see evidence of this in the presentation of certain buildings or features? Editor: Hmm, perhaps the prominent display of the Colosseum hints at the emphasis on Roman grandeur? This wasn't just a geographical representation, it's a narrative in lines and ink! Curator: Precisely! Dupérac offers us more than just directions. He presents a story. By looking closely, and asking the right questions, we gain insights not only into the artist's techniques but also into the cultural context in which he operated. Editor: I now appreciate how much a map from centuries ago can teach us. Thanks, I’ll definitely see such artworks in a new light from now on!