Portret van Arnaud d'Ossat 1625

Here is a portrait engraving by J. Michel Pelais of Arnaud d'Ossat. Note how the oval frame constrains the cardinal, but also focuses our attention on his face and upper torso. Pelais uses hatching and cross-hatching, building up a complex network of lines to model the forms and suggest the play of light and shadow. Look closely, and you'll notice how the lines vary in thickness and density, creating subtle gradations of tone that give d'Ossat a sense of depth and volume. The textures of the fabrics, from the smooth sheen of the cloak to the rougher texture of the beard, add to the sense of realism. The inscription at the bottom, acts as both a label and a compositional element, anchoring the image and adding a sense of formality to the portrait. In this way, the portrait captures the likeness of an individual and conveys something of his status and character. As viewers, we continue to interpret the image through a combination of historical and aesthetic lenses.