Portret van paus Pius II 1597 - 1599

Editor: This is "Portrait of Pope Pius II," an engraving by Robert Boissard, dating from around 1597-1599. The delicate lines of the engraving create an almost ethereal feel, despite the subject’s rather stern expression. What stands out to you about the piece? Curator: What commands my attention is how the linear nature of the engraving allows Boissard to meticulously construct form. Consider the texture achieved on the Pope’s mozzetta. Notice how the varied densities of the hatching and cross-hatching not only define the fall of light but also articulate the rich, undulating patterns within the fabric itself. The linear framework is primary, would you agree? Editor: Yes, I definitely see how the lines build up the whole image and create areas of dark and light, giving the fabric its texture and volume. So, you’re saying the essence of the artwork lies in its fundamental construction? Curator: Precisely. The oval border and its embellishments mirror the ornamentation in the Pope's garments. Even the lettering, while conveying information, contributes to the overall visual composition. Boissard masterfully uses line and form to guide the eye and create a harmonious whole. Does that impact your interpretation? Editor: It really shifts my focus away from the subject matter and more towards appreciating how Boissard actually built the image, which is fascinating. Curator: Indeed. It exemplifies how attention to the intrinsic formal elements can offer deep insights into an artwork, shifting focus from representation to artistic execution. Editor: This focus on the composition gives me a new appreciation for the engraving as a designed object. Curator: Absolutely. A valuable experience for both of us, I believe!