Deified King by Cham

Deified King c. late 10th century

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carving, sculpture

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african-art

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carving

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stone

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sculpture

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asian-art

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figuration

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sculpting

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sculpture

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statue

Dimensions 41 x 20 3/4 x 19 1/8 in. (104.14 x 52.71 x 48.58 cm)

Editor: Here we have a sandstone sculpture entitled "Deified King," created by the Cham people around the late 10th century. It feels both powerful and serene, doesn't it? I’m intrigued by the somewhat worn but dignified features. What do you see in this piece? Curator: Ah, yes, he's a figure that pulls you in, doesn’t he? For me, this sculpture speaks of the Cham kingdom’s embrace of Hindu beliefs and their unique spin on divinity. You know, in their art, there's often a delightful blend of formality and playful character. Does the roundedness of his belly strike you at all? Editor: It does, a bit unexpected! Was that a common way to depict rulers at the time? Curator: It certainly veers from the Western ideal of the stoic, muscled leader, doesn't it? This sculpture feels less about physical might and more about spiritual abundance. Look closer at the floral carvings behind him – can you imagine what vibrant colours may have adorned this sculpture originally? Editor: Wow, it’s fascinating to think about it painted, it must have really stood out! Curator: Exactly! And that slight smile suggests a divine detachment, perhaps even a wink, as if to say, "Yes, I’m a king, but I also understand the cosmic joke.” Don't you feel the Cham artisans possessed a delightful artistic audacity? Editor: Absolutely. I came in thinking of it as a typical religious sculpture, but now I see it's got this vibrant personality embedded. I am curious, are there other cultures that also share the aesthetic style? Curator: Well, let's dig a bit more into the area during our next visit! Editor: Sounds good. I definitely have a fresh perspective now, it is like the king is human and divine, stern and a joker all at once!

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

This sculpture, likely of a deified king, originates from the Champa Kingdom, in what is today South Vietnam. A sculptor carved its bold forms at the height of the kingdom’s strength, when Champa maintained economic, political, and religious links with China, India, and the Khmer civilization in Cambodia. Champa rulers endorsed the concept of deified kingship, and their stylized portraits were at times integrated into court-sponsored Hindu and Buddhist temples, to which this sculpture might have once belonged. Enthroned, the king sits in a yogic posture holding lotus flowers in his outstretched hands, emphasizing his purity. The texture of the necklace beads resemble Rudraksha seeds, associated with the Hindu god Shiva, to whom Champa kings were devotees. His hairstyle, in elaborate braids, also refers to the powerful deity.

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