Somaskanda (Holy Family) 13th-14th century

Editor: We’re looking at “Somaskanda,” a bronze sculpture of the holy family made sometime in the 13th or 14th century. It's currently at the Minneapolis Institute of Art. The sculpture has such a serene, poised quality. How do you interpret the work in relation to its historical context? Curator: This sculpture is particularly fascinating when we consider the role of bronze casting in South Indian society at the time. Bronze sculptures like this weren't just religious icons, but active participants in temple rituals, often paraded through the streets, so consider it moving within a broader socio-political landscape, shaping religious experience. Editor: That’s fascinating. It really contextualizes the sculpture! What are some of the broader implications of these sculptures' movement through the public space? Curator: Well, the movement itself reinforces social hierarchies and religious authority. Consider who had access to these rituals, who participated in their creation and maintenance, and how these processions shaped collective identity. Does that prompt further thought about its reception? Editor: Definitely. It’s making me think about who commissioned the work, the intended audience and how this form of religious art intersected with the ruling powers. Would these have been exclusive displays for the elite or meant for wider audiences? Curator: Likely a complex blend, varying depending on specific times and locations. Exploring such factors enhances the artistic and cultural value, prompting critical thought about art's societal influence in the past, enriching our understanding and sparking modern-day conversations. Editor: It really gives you a new perspective. Now, I can appreciate it more as an object of faith, and also as a product of social power. Thanks!