Très Parisien, 1923, No 11: 17.- AUTEUIL. - Ce manteau droit.... 1923

This fashion plate from 1923 presents a scene of Parisian elegance in ink and watercolor, presumably whipped up for a magazine spread. Looking at it, I can't help but think about how the anonymous artist approached this work. Did they dash off the geometric patterns with a practiced hand, or did they labor over each triangle and curve? I’m drawn to the textures and the way the artist suggests the plushness of fur with just a few strokes. The earthy tones and muted greens evoke a sense of understated luxury. There’s a graphic quality that reminds me a bit of Sonia Delaunay’s textile designs, but with a softer, more whimsical touch. You can almost feel the artist experimenting, pushing the boundaries of representation. It’s amazing to think about how artists, even those creating commercial works, leave a trace of their vision, contributing to the collective conversation of art. And here we are, years later, still engaging with their creative choices.