Aankondiging van een wedstrijd kruisboogschieten die op 15 juni 1649 buiten Amsterdam plaats zal vinden 1877
graphic-art, print, typography, engraving
graphic-art
dutch-golden-age
landscape
typography
genre-painting
history-painting
engraving
Dimensions height 622 mm, width 422 mm
Editor: This is "Aankondiging van een wedstrijd kruisboogschieten die op 15 juni 1649 buiten Amsterdam plaats zal vinden", created in 1877 by A. Kroon, using graphic art printmaking, typography and engraving. At first glance, it looks like an official notice, almost like a historical document. The combination of images and text is really striking. What stands out to you? Curator: It's fascinating how Kroon, in the late 19th century, revisits a mid-17th century public announcement. Consider the context: the Netherlands in 1877. The country was undergoing significant nation-building and solidifying its identity after a period of French rule. Reproducing or creating historical prints like these was a way of connecting with and celebrating a perceived "golden age." What aspects of this piece tell a specific story about that era of Dutch history and its cultural institutions? Editor: Well, you have what look like official seals or coats-of-arms at the top. Also what is being promoted here, the crossbow competition…is it suggesting a sort of connection between sport, skill, and civic duty? Curator: Precisely. These weren't just sporting events; they were demonstrations of skill that had direct relevance to military readiness and civic defense. They underscored values embraced during times of political instability and war, particularly for Amsterdam citizens who were encouraged to be skilled in arms. To your eye, how might these prints function to support patriotism or community bonding? Editor: Perhaps it romanticizes that history. The style definitely leans toward celebrating this skill based civic contribution and building cultural pride.. It also speaks to this enduring sense of place. Curator: Exactly. By revisiting these kinds of themes, later artists could create a renewed public role and conversation about national identity by circulating particular types of imagery and collective memories. That historical filter always changes how things are viewed! Editor: That is amazing! I never thought that a sports announcement could offer such insights into political history! Curator: The beauty of art lies in how deeply connected it is to larger social trends. And as we've seen, a poster isn't *just* a poster, it reflects a rich history of politics.
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