Kalenderblad mei met kievit by Theo van Hoytema

Kalenderblad mei met kievit 1907

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Dimensions: height 440 mm, width 210 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have Theo van Hoytema’s “Kalenderblad mei met kievit,” or "Calendar Sheet May with Lapwing," created in 1907. Editor: It’s striking! The stylized bird seems to float against the pale wash of background, both elegant and a little melancholic. Curator: The artwork’s structure presents a fascinating interplay between naturalism and abstraction. Note how Hoytema reduces the lapwing's form to its essential elements while maintaining a recognizable representation. The use of watercolor gives the piece a luminous quality. Editor: Absolutely, and the lapwing itself holds a wealth of symbolism, doesn’t it? In Dutch culture, these birds are often associated with springtime and the awakening of nature. It's fitting for a May calendar page. Notice how the repetition of the bird as ornamentation in the top register gives this symbol primacy. Curator: Indeed. Moreover, consider the formal composition. The bird dominates the upper two-thirds, drawing our eye upward, while the calendar grid anchors the composition and establishes a clear geometrical structure below. The interplay between the organic shape of the lapwing and the grid below gives the image dynamism. Editor: That dynamism reminds me of a delicate balance. The lapwing is this beacon of hope, but its form feels tentative as if overshadowed by an inevitable march forward—like how fleeting spring weather always gives way to summer heat. There's a tinge of foreboding. Curator: That interpretation aligns well with the prevailing themes within the Art Nouveau movement, blending the decorative and representational, while simultaneously challenging established hierarchies. This is evident in the way the artist uses line and colour to suggest rather than to define completely. Editor: Yes, the lack of definitive outline lends the composition some movement—fitting for the avian figure. Overall, this is more than just a calendar page. It's a meditation on time, nature, and cultural memory. Curator: Precisely. A fascinating confluence of form and symbol, ripe for continued discussion and debate. Editor: I agree, its formal elegance offers depth with a second look.

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