Ground Plan for a Catafalque 1696 - 1756

Editor: Here we have Giuseppe Galli Bibiena’s "Ground Plan for a Catafalque," dating roughly from 1696 to 1756. It’s a pen sketch, essentially a drawing or print. I'm struck by the incredible precision and symmetry. What do you see in this piece, from a formalist perspective? Curator: The most immediately arresting aspect is, as you note, the geometric rigor. The absolute centrality of the square plan, radiating outward… Note how line becomes the defining element. The entire composition relies on this structural articulation; shadow only appears to accentuate form. Observe the relationships created: line, plane, and volume, and how this achieves an idealized space divorced from the material conditions of its production. Do you find any subtle disruptions of the rigid structure, perhaps hinting at the tension inherent in such control? Editor: I notice that while the central square is perfectly symmetrical, the surrounding ornamentation, though balanced, contains variations. Perhaps intentionally? Curator: Indeed. These minor deviations prevent absolute stasis, introducing visual interest. But ultimately these small differences accentuate the controlling and defining structure, foregrounding it as a concept and artistic strategy. How might this plan engage the Baroque style, despite its geometric purity? Editor: I suppose that it demonstrates Baroque theatricality, even if subdued in a monochromatic format. This plan hints at the grandeur of space in which rituals might occur. I appreciate learning how these geometric and symmetrical forms define the experience. Curator: Precisely. A potent testament to the persuasive qualities of structure, itself!