Très Parisien, 1925,  No. 7, Pl. 1: Création J. Suzanne TALBOT - LES HAIES. by G-P. Joumard

Très Parisien, 1925, No. 7, Pl. 1: Création J. Suzanne TALBOT - LES HAIES. 1925

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Dimensions: height 195 mm, width 120 mm, mm

Copyright: Rijks Museum: Open Domain

Editor: This watercolor drawing on paper, "Très Parisien, 1925, No. 7, Pl. 1: Création J. Suzanne TALBOT - LES HAIES" by G-P. Joumard, showcases an elegantly dressed woman next to a chair. The muted colors and streamlined design evoke a sense of sophisticated simplicity. How would you interpret this work, focusing on its formal aspects? Curator: The composition hinges on a delicate balance of line and shape. Note how the verticality of the figure is mirrored in the chair's form, creating a sense of structured harmony. The color palette is intentionally restrained; the subtle contrast between the brown background, black dress, and white fur trim serves to define the forms and maintain visual interest. What is your read on the use of layering and texture to emphasize depth in such a simplified drawing? Editor: I see the layers in the dress as more of a technique to represent details of fashion instead of representing 3-d depth, because they seem pretty flat. I do notice that some colors appear darker at different places of the character. Curator: Precisely, while trompe-l'oeil illusionism is not the aim, shading contributes tonality for surface description rather than strict depth rendering. Semiotically, the choice of media communicates that fashion is, on its surface, something to behold first as an event, as "high society," before all else. It signifies glamour and the avant-garde of its era via surface details. How do we move beyond semiotics, into pure formalism? Consider only lines and their angles in conjunction with surface tone. Editor: I never noticed the geometry so keenly, or its value without the semiotic information before. By disregarding what I thought I saw (details of layering and form that indicate 3d), and refocusing on simple line tracing, a whole new perspective has emerged! Curator: Indeed, formalism reveals a structural underpinning to our visual experiences. Analyzing it today reminds us to not to take cultural knowledge for granted!

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