Très Parisien, 1921 : LOTUS / Ce n'est pas encore la longue traîn (...) 1921

This fashion plate, titled “Lotus,” was created in Paris, in 1921. Although the artist is unknown, the image itself speaks volumes about the moment it was made. Consider the lithographic process that enabled the design to be reproduced and distributed widely. The choice of vibrant colors and bold outlines, typical of Pochoir prints, shows a clear intention to capture the vivacity and optimism of the post-war era. The artist captures the essence of modernity through streamlined forms. There is a focus on the cut and drape of the fabric. The design reflects a shift in social attitudes, particularly the increased freedom and independence of women during the 1920s. The emphasis on a sleek, unadorned silhouette also suggests a move away from the elaborate constructions of previous eras, hinting at broader changes in labor, production and consumption. By examining the materials, the making, and its social context, we gain insight into the cultural values and aspirations of the time, highlighting fashion's role in reflecting, and shaping, society.