Très Parisien, février 1922: 7.- FLORE 1922

This fashion plate, Très Parisien, février 1922: 7.- FLORE, was printed anonymously, likely using a stencil or similar method to apply the flat, graphic colours to paper. The process here is everything. The artist isn't trying to mimic reality. The colours are bold and contained, and the black lines define the forms with playful ease. Look at the model's skirt – those vertical lines suggest volume without ever getting fussy. The little red dots scattered around give the image a sense of whimsy, like confetti celebrating the joy of fashion. This image reminds me a bit of the later work of someone like Erté, who embraced the decorative arts and the bold simplicity of line. Both artists use fashion as a playground for exploring colour, form, and the sheer pleasure of design. It’s a reminder that art doesn't always need to be profound; sometimes, it can just be fabulous.