Circle Stripe 1987

Editor: This is Ray Howlett's "Circle Stripe" from 1987. It looks to be made of metal and glass. There's an otherworldly feel to this geometric sculpture—it’s minimal, but the colours are so vibrant. How do you interpret this work? Curator: This sculpture resonates deeply with the Light and Space movement. Howlett uses geometric forms to explore our perception of light and space, pushing back against the traditionally masculine-dominated art world. Do you see any challenge to this perception? Editor: I think I do. The colours are unexpectedly joyful for such sharp, defined shapes; this playfulness disrupts what I would expect from geometric art. Curator: Exactly! Think about how materials like metal and glass can signify both rigidity and fragility, strength and transparency. Howlett's choices might comment on societal structures by highlighting the complex, often contradictory nature of these social constraints. What issues are on your mind as you engage with this work? Editor: I can see it reflecting how gender and identity are often viewed through such a limited prism. The illusion of solid form, the subtle light gradients… it challenges easy categorization, like human identity itself. Curator: Beautifully put! Howlett invites us to question our preconceived notions. It is a feminist statement challenging the established, and potentially oppressive, order. Editor: This conversation shifted my whole perception; what initially struck me as visually appealing now resonates with meaningful social commentary. Curator: Precisely, it's about continually seeking context, and creating discourse in an active and insightful way.