History Painting 42 C20th. Winsor Yellow by  Maria Lalic

History Painting 42 C20th. Winsor Yellow 1995

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Dimensions: support: 600 x 600 mm

Copyright: © Maria Lalic | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Maria Lalic's "History Painting 42 C20th. Winsor Yellow," a square canvas, 600 by 600 mm, filled with horizontal strokes of yellow paint. It's incredibly simple, almost meditative. What's your take on it? Curator: I see a deliberate focus on the materiality of paint itself. The title ironically references "history painting," traditionally grand narratives, yet here, it's reduced to a single color meticulously applied. Consider the labor involved; the repetitive, almost mechanical process. It challenges our expectations of artistic creation and value. Editor: So, the process itself becomes the statement? Curator: Precisely. Lalic highlights the act of painting, forcing us to consider the means of production and the inherent qualities of Winsor Yellow. Editor: That makes me think about the commercial availability of paint and how that influences art. Thanks! Curator: Indeed, and considering the social context of mass production is crucial. A fresh perspective, thank you.

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tatemodern's Profile Picture
tatemodern 2 days ago

http://www.tate.org.uk/art/artworks/lalic-history-painting-42-c20th-winsor-yellow-t07292

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tatemodern's Profile Picture
tatemodern 2 days ago

CAN COLOUR RELATE TO A PARTICULAR PERIOD IN TIME? Maria Lalic’s paintings explore the history of colour pigments that were used to make paint. Each painting is made from semi-transparent layers of pigment that were discovered in the in the time referred to in the painting’s title. The artist was inspired by an old colour chart from paint manufacturerWinsor and Newton. It grouped pigments into six historical periods: Cave, Egyptian, Greek, Italian, 18th and 19th century, and 20th century. There is one painting for each period displayed here. Looking closely at the edges you can see the different paints she has layered to create the final colour of the painting. ‘I think I’m simply excited by recognising a time and place through colour.’ Start Gallery caption, 2016 Gallery label, July 2017