History Painting 17 Italian. Naples Yellow by  Maria Lalic

History Painting 17 Italian. Naples Yellow 1995

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Dimensions: support: 600 x 600 mm

Copyright: © Maria Lalic | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Before us is "History Painting 17 Italian. Naples Yellow" by Maria Lalic. Editor: My first impression is one of quiet contemplation. The subtle color washes feel almost meditative. Curator: The Naples yellow pigment itself has an intriguing history, once associated with royalty and used in ancient ceramics. Its presence here evokes a sense of tradition. Editor: But the lack of representational imagery seems to resist traditional history painting. It almost feels like a commentary on the act of remembering, or perhaps forgetting. Curator: Perhaps Lalic is suggesting that history can be found in the simplest of elements, like a single color, inviting us to reflect on its layered past. Editor: Or maybe it is a challenge to our expectations, forcing us to confront the biases inherent in the narratives we construct about the past. Curator: It's a reminder that symbols, even in their most abstract form, can carry immense cultural weight. Editor: And that art, even when seemingly minimal, can be a potent vehicle for social commentary and historical reckoning.

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tatemodern's Profile Picture
tatemodern 2 days ago

http://www.tate.org.uk/art/artworks/lalic-history-painting-17-italian-naples-yellow-t07290

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tatemodern's Profile Picture
tatemodern 2 days ago

CAN COLOUR RELATE TO A PARTICULAR PERIOD IN TIME? Maria Lalic’s paintings explore the history of colour pigments that were used to make paint. Each painting is made from semi-transparent layers of pigment that were discovered in the in the time referred to in the painting’s title. The artist was inspired by an old colour chart from paint manufacturerWinsor and Newton. It grouped pigments into six historical periods: Cave, Egyptian, Greek, Italian, 18th and 19th century, and 20th century. There is one painting for each period displayed here. Looking closely at the edges you can see the different paints she has layered to create the final colour of the painting. ‘I think I’m simply excited by recognising a time and place through colour.’ Start Gallery caption, 2016 Gallery label, July 2017