Chinese Ape c. 19th century

Editor: This is Honoré Daumier's "Chinese Ape." It looks like a lithograph. The figure appears to be an unflattering caricature of a seated buddha. How do you interpret this work through a materialist lens? Curator: The lithographic process itself is crucial. Daumier mass-produced these images, making them accessible. What social commentary do you think Daumier aimed to make available to the public? Editor: Perhaps a critique of power structures or the exoticization of other cultures? It feels quite pointed. Curator: Exactly. Consider also the materials used – the stone, the ink. How do these contribute to the message? Editor: So, the cheap materials used for mass distribution reinforce the biting critique? I see it now. Curator: Precisely. The medium shapes the message, reflecting Daumier's critique of societal norms and production. Editor: That connection between material and message is really enlightening. Thanks!