Beeld van Ganesha by Herman Salzwedel

Beeld van Ganesha 1880 - 1888

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gelatin-silver-print, photography, sculpture, gelatin-silver-print

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gelatin-silver-print

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asian-art

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figuration

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photography

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sculpture

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gelatin-silver-print

Dimensions: height 215 mm, width 275 mm, height 303 mm, width 374 mm

Copyright: Rijks Museum: Open Domain

Curator: Before us, we have a photograph titled "Beeld van Ganesha" which translates to "Statue of Ganesha." It's a gelatin silver print created between 1880 and 1888. The photograph's creator, Herman Salzwedel, captured this image for the Rijksmuseum collection. Editor: Immediately striking is the solemn monumentality—that immense stone form rendered with such subtle tonal gradations, posed against that impenetrable black. Curator: The figure, Ganesha, is a vital deity in Hinduism. He’s known as the remover of obstacles, the god of beginnings, and the patron of arts and sciences. The elephant head immediately marks him. This symbolism—elephantine wisdom combined with human-like understanding—is paramount to his cultural significance. Editor: Indeed. The textural rendering here, thanks to Salzwedel's choice of the gelatin silver process, articulates not only the contours but also the decay, almost as a signifier of timelessness but also ephemerality, wouldn’t you say? The granularity evokes both strength and fragility. Curator: Precisely. The aging of the statue hints at the erosion of time and emphasizes the continuity of belief through generations. Ganesha’s presence suggests enduring cultural memory. Even in ruin, its imposing aura permeates, continuing to project a strong presence within cultural and historical contexts. Editor: The photograph, considered formally, sets the statue in stark relief. The tight cropping further compresses the figure and brings the viewer face to face with it. Notice the deliberate placement—not quite centered, creating a slight visual tension which invites scrutiny. It forces one to actively reconcile its apparent solidity with what appears, ironically, so insubstantial in its grayscale photographic reproduction. Curator: This interpretation makes the photograph resonate beyond the simple depiction of a religious icon. It reflects our continuous dialogue with cultural heritage. Editor: Absolutely. It leaves one to consider not just *what* is represented, but also *how* that representation impacts our perceptions of time, decay, and enduring power.

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